Ways to Win An Oscar (Or at least be nominated for one)Winning an Oscar is one of the most prestigious honours anyone could have. Yes, even more prestigious than the Noble Peace Prize. Okay, maybe not, but it's one award that film professionals hope for. Unless your name is Katharine Hepburn or Marlon Brando. Before this year's Academy Awards, I have decided to write about ways one can win that little gold naked guy named Oscar.
DieYes, in Hollywood one way to gain attention is by biting the bullet. If your name is
Tupac or Elvis, you can even profit from your death. It may sound grim, but if you give a performance that's anticipated, or a performance that will eventually gain praise and then die in a tragic accident, get murdered, or even overdose shortly after, you will most likely be nominated, or if you're lucky enough, win an Oscar. It's even better if you're a well beloved actor, or if you're really young. You can even be a producer or writer. The most recent posthumous win was Heath Ledger in that Batman movie. Young Heath was not the first posthumous winner in fact. In 1939, the writer of Gone With the Wind died. Sidney Howard died in a tragic accident at the young age of 48. According to
wikipedia, he was "crushed to death in a garage by his two and one half ton tractor. He had turned the ignition switch on and was cranking the engine to start it when it lurched forward, pinning him against the wall of the garage." You may say, "but Sonia, it was Gone With the Wind. That was always going to win!" Sure, it's one of the most beloved movies of all time, but Howard's death certainly didn't hurt his chances. Here's a list of all the Posthumous winners, and what they won for:
Howard Ashman - 1991, Original Song for Beauty and the BeastWalt Disney - 1968, Best Short Film (Animated) for Winnie Pooh and the Blustery DayPeter Finch - 1976, Best Actor for NetworkThomas C. Goodwin - 1992, Best Documentary (Short Subject) for Educating PeterConrad L. Hall - 2002, Best Cinematography for Road to PerditionWilliam A. Horning - 1958, Best Art Direction for GigiWilliam A. Horning - 1959, Best Art Direction for Ben-Hur (YES TWICE!)Sidney Howard - 1939, Best Writing for Gone With the WindHeath Ledger - 2008, Best Supporting Actor for The Dark KnightEric Orbom - 1960, Best Art Direction for SpartacusRaymond Rasch - 1972, Best Original Score for LimelightLarry Russell - 1972, Best Original Score for LimelightGeoffrey Unsworth - 1980, Best Cinematography for TessVictor Young - 1956, Best Original Score for Around the World in 80 DaysSam Zimbalist - 1958, Best Picture for Ben-HurNow, it should be of note, the two gentlemen who won for Limelight died decades before Limelight was eligible for the Academy Awards. One of those strange technicalities.
Uglify yourself.The Oscars love people who go that extra mile for a performance. People who transform their appearance usually fair pretty well come Oscar time.
Case 1, Charlize Theron
Charlize Theron is considered one of the most beautiful women in the world, but she scares the
bejesus out of everyone in Monster.
Case 2, Nicole Kidman
Sure she wasn't ugly, but she won by "a nose".
Case 3, Marion Cotillard
You either think she's gorgeous, or overrated, but Marion
Cotillard definitely made herself uglier in La
Mome.
Case 4, Robert DeNiro
He goes from not bad looking, but completely disgusting personality wise in Raging Bull to a poor excuse of a man at the end. Eat it up
AMPAS, eat it up!
Case 5, Linda Hunt
Er ... scratch that.
Make a Holocaust movieThe Oscars are full of
jews, and they want to reward those movies that deal with the gruesome past. Maybe not all the time, but there's a pretty good chance if you do a Holocaust movie, you're guaranteed an Oscar. Just ask Kate
Winslet.
Branch OutIf you're a comedic actor do a comedy. If you're a dramatic actor do a mild comedy (not too raunchy, the Oscars hate that). Two big examples, that both caused an uproar, that I can think of are Sandra
Bulllock and Reese
Witherspoon. Both were known for being Hollywood's sweethearts.
Witherspoon, the star of Legally
Blonde, shocked many with her performance in the Johnny Cash Biopic Walk the Line. She sang, played an instrument, and gave a pretty good performance. She was rewarded with an Oscar. Sandra Bullock, the star of such movies as Speed, and crappy
Keanu Reeves romantic comedies, won an Oscar for her
blonde wigged performance in the Football movie The Blind Side.
The Weinstein EffectLet's face it folks, the
Weinsteins are known for hypothetical
AMPAS dick sucking. The truth is, they are brilliant execs, and really know how to get a film noticed. Basically look at most of the Best Picture nominees each year, and I guarantee a lot of them were produced by the
Weinstein Company.
A Combination of TechniquesWhile there are plenty of more reasons for a movie to get nominated, nothings better than a combo of several of the reasons I've listed. What would you tell me if I told you there was once a movie that had not one, but two posthumous nominees, a movie that took place in the holocaust, AND a movie that was produced by the
Weinsteins? "It won a million Oscars, didn't it?" No, but it did win one, and caused a bunch of controversy by becoming a "filler". That movie is the Reader. It was produced by Anthony
Minghella, and Sidney Pollack, who both died before the ceremony. It took place during the Holocaust, and yes, it was produced by the
Weinsteins. It also starred "overdue" actress Kate
Winslet, and had plenty of nudity, a nearly retarded main character, and pedophilia. What a blast.